Volcanic Tongue Catalogue

David S. Ware Quartet
Live In Vilnius

NoBusiness Records NBLP 4/5

2xLP
£26.99


The Lithuanian (!) free jazz label NoBusiness has got off to such a great start, they’re already beginning to look like the heirs to the whole ESP Disk-Silkheart tradition of vital vinyl documents of contemporary fire music. And this has got to be their greatest move to date, a deluxe audiophile presentation of a concert by one of the all-time great free jazz quartets and heirs to the current previously channeled by the John Coltrane Quartet and the Frank Wright Quartet. This is the line-up featuring Ware, Parker and Shipp alongside drummer Guillermo E. Brown, recorded live in Lithuania in 2007. This set really has a ‘classic’ feel too it, opening up with a tempestuous Trane-heavy reading of Ware’s “Ganesh Sound”. Another highlight is the side-long plus take of Sun Ra’s “The Stargazers”, with Parker’s bass playing the perfect amalgam of pulse statement, tactile wood and wire feel and inspired tonal/melodic extrapolation. The closing version of “Surrendered” has all of the otherworldly emotional fanfare of Albert Ayler. The whole set is pressed across two slabs of vinyl that play at 45rpm to maximum sonic effect and it comes packaged in a full-colour gatefold sleeve. The David S. Ware Quartet are one of the great groups of my lifetime and this is a release to treasure. Edition of 1000 copies. Highly recommended.

David S. Ware Quartet
Renunciation

Aum Fidelity AUM-042

CD
£13.99


A dazzling last hurrah for one of the truly great free jazz groups of this - or any other - era. David S.Ware's Quartet were part of the same titanic lineage that connected the original John Coltrane Quartet to the Frank Wright Quartet, playing the kind of fire music that reconciled eviscerated songbook and devotional modes with a commitment to pushing group-speak well beyond any previously articulated energy gambits. Renunciation is a pristine recording of the Quartet's farewell performance at the 2006 Vision Festival in New York, with Ware accompanied by Matthew Shipp on piano, William Parker on bass and Guillermo E.Brown on drums. The set combines the beautiful cosmic balladry of Ware's Columbia-era works with long passages of extended white out, the kind of mix of folk forms and fire that no one outside of Ware was capable of fully synthesizing post-Center Of The World. I followed ever last schlup and shudder of this group throughout the bulk of their career and these musicians were responsible for some of my most memorable live experiences. It truly feels like the end of an era and we're all the poorer for it. But at least they left us with this, right?