Limited edition of 100 hand-numbered copies from the duo of James and Jessica Toth (aka Chazz Improv and Norma Bates) with Max ‘Mev’ Wicker, their first release outside of Toth’s own Mad Monk imprint. Some classically bleak Kraut-inspired dirge bombs cut-up with the kind of blues breakdowns and deranged avant-gardisms that best defined Toth’s previous Hassara outings.

Limited edition of 250 copies with 12 pro-dubbed cassette housed in a presentation box documenting the many live musical incarnations of Matthew Valentine and Erika Elder between the years 2002 and 2009. All unreleased material except for the Guitar Barn set which was previously released by MV as a Heroine CD-R. The box runs in chronological order and culminates in a Pete’s Pix Vol.2 compiled by the legendary Pete Coward featuring 7 tracks from dates mainly in the UK, including a big band jam from Thurston’s Nightmare Before Christmas and Dylan Nyoukis’s 2006 Colour Out Of Space, both of which feature Chris Corsano. Full run-down:

- The MV & EE Medicine Show 'Citybillies' Brooklyn, NY 5/23/02 (PREVIOUSLY UNRELEASED)

- MV & EE With The Bummer Road 'The Suncatcher Blossoms A Novatone' Tonic, NYC 7/18/2005 (PREVIOUSLY UNRELEASED)

- MV & EE With The Bummer Road 'Abstarct Blues and Egyptian Mud' Campfire Sounds, Acra, NY 7/15/06 (PREVIOUSLY UNRELEASED)

- MV & EE with The Bummer Road 'Pastis King' Paris, November 11th, 2006 (PREVIOUSLY UNRELEASED)

- MV & EE with The Golden Road 'Barn Joint' Red Barn, Amherst, MA, 10/16/07 (feat. J Mascis and Tom Carter) (PREVIOUSLY RELEASED ON HEROINE)

- MV & EE with The Golden Road 'Lobstora Vs Tone Crabs' Floristree Auditorium Baltimore, MD, 6/14/08 (PREVIOUSLY UNRELEASED)

- MV & EE with The Wolfpack 'Yurt Aspects/Rural Centrifuge' Wickermania Festival, The Yurt, Goshen, MA 8/2/08 / Tinderbox, Brattleboro, VT, 8/3/08 (UNRELEASED)

- MV & EE with Jeremy Earl '"He's On Tonight, Saddleback"/"Multiple Gravitrons" Cakeshop, NYC, 1/20/09 (PREVIOUSLY UNRELEASED)

- MV & EE with The Wolfpack 'Mamma Zooed' The Triple, Richmond, VA, 1/23/09 (PREVIOUSLY UNRELEASED)

- MV & EE 'Smoked Bossier' Art Space, Shreveport, LA, 1/29/09 (PREVIOUSLY UNRELEASED)

- MV & EE with The Golden Road 'Sequential Circuits' Vintage By The Pound, Toronto, ON, Canada, 2/7/09 (PREVIOUSLY UNRELEASED)

- MV & EE 'Pete's Pix Vol. 2' 2004 - 2006 (tracks from Cambridge UK, Colour Out of Space, Thurston's ATP, Oxford, London, and more. Features Nemo, Chris Corsano, Samara, Willie, Jiggs, Sparrow, Simoes) (PREVIOUSLY UNRELEASED).

“Our very first one sided LP, which is a bizarre trip from Michael Curtis Hilde's Mountainhood project. This one follows on from the two LPs on Time Lag's Red Records label a few months back which vanished super fast, as well as other releases on Reverb Worships and Yod. Total outsider midnight missions into weirdness... strange strings twang and rattle into the darkness, a very strange experience spread across one side of black wax. Limited to 320 copies in pro-printed wrap around sleeve featuring art by Michael.” – BRR.

"Crazy 3-way collaboration from some of America's best underground musicians... Charalambides Tom Carter is joined by Shawn McMillen, sometimes member of Warmer Milks and Ash Castles On The Ghost Coast, with the added power of Starving Weirdos. This two tracked collaboration has been around since 2007 and it landed in my mailbox a few months back, and man, it’s a real beauty... A totally bizarre jam, which just opens more potential ventures up for these artists, hopefully we'll see more from this collaborative team soon. Limited to 320 in pro-printed wraparound sleeves." – BRR.

Edition of 400 copies LP from Campbell Kneale’s earth-quaking Our Love Will Destroy The World. Violent Industrial rock that works in stormclouds of overtone and omni-directional propulsion and feels like the soundtrack to the birth pains of galaxies. Is that a xylophone in there? Comparable to Matthew Bower’s most gridlocked and monumentally powerful recordings. Three tracks of vertical ascension.

Edition of 400 copies live album from Matthew Valentine and Erika Elder, joined by Ron Schneidermann (Sunburned et al), Doc Dunn and Chris Corsano. Live Road focuses on the more extended Environments style of MV & EE and makes for one of their most psychedelic and otherworldly sides, pitched somewhere between ’72 Dead, Alan Silva’s Skillfulness LP, the early lunar COM style and some of the wilder of the recent Heroine sets. The version of “Mine All Troubled Blues” that opens the set features some of Valentine’s most wayward guitar picking, a beautiful demonstration of how far-reaching his re-think of the possibilities of country-blues guitar has become. Takayanagi couldn’t have phrased it better. Then there are two versions of “Environments” spliced together to generate a hallucinatory headspace that combines plumes of outside strings with peacock drones and visions of melting steel. The B side sees Corsano piloting the group into a tear-it-up power stomp through “Tea Devil” before they dissolve back into another “Environments”. One of the MV and EE’s furthest orbits of form, beautifully realized by Blackest Rainbow with wraparound jackets featuring cover art by Jeremy Earl of Woods. Highly recommended.

More communal jams from the Funeral Folk collective, with a sound that moves from macabre forest folk through full-tilt monolithic freak rock ala Trad Gras Och Stenar/International Harvester et al. Edition of 550 copies, full colour sleeves, already sold out at source.

Necessary vinyl reissue of the debut album from Japanese acid folk loner Aritomo. Originally self-released on vinyl in 2005, the album was recorded between 2003-2004. It’s a magical side, recalling aspects of Go Hirano, the Org catalogue and early Ghost. Aritomo’s vocals have a slurred/alien tongue feel that is nicely drugged and the music moves from avalanching acoustic downers ala Leonard Cohen through weird flute and field recordings that reflect on the more ‘environmental’ aspects of Part Wild Horses Mane On Both Sides and fragile/lucid folk songs that combine gentle ritualistic atmospheres, Hallelujahs-style melodies and a vocal that’s way beyond the blank. A classic side of PSF-styled acid folk. Edition of only 300 copies. Highly recommended.

“Fantastic new LP from Cam Deas, which was issued in a tiny run CDR for his recent euro tour with Jack Allett earlier this year. This is a slightly different release from the previous LP and split LP with Spoono, essentially this is one long improvised acoustic freak-out. Loose frequent and infrequent twangs to pure whirlwinds of aggressive string assaults and finger shredding plucking. This still retains Cam's signature traditional playing somehow, especially the more intense heavier moments. A solid recording. Limited to 500 copies on heavyweight vinyl in pro-printed fold over covers with photography by Cam and printed labels. Pressed at the superb Record Industry in the Netherlands.” – BRR.

“Debut vinyl release from Natural Snow Buildings' Solange Gularte's solo project, Isengrind. Modlitewnik continues Solange's fantastically far out occult psych-folk-drone trip outs, 12 tracks across the length of this LP, considerably shorter pieces in comparison to her work with Mehdi in Natural Snow Buildings, Isengrind retains a certain amount of the sound of the duo, but it is a whole other beast, in many ways much stranger and darker, but still hauntingly beautiful with some fantastic blissed out vocal drones, dreamy guitars, and psyche soaked dark drone zones. Heavyweight vinyl, housed in a pro-printed full colour fold over sleeve with all 4 panels featuring stunning artwork by Solange, the inside of the cover is especially spectacular. One time pressing of approx 400 copies.” – BR. Already sold out at source.

“Dwell in Possibility, is the debut vinyl LP by the formerly active American husband and wife duo Celer, and is also their first release for Blackest Rainbow. Consisting of 15 different sections sprayed across two sides of vinyl, with little if any distinctions, 'Dwell in Possibility' is arranged as a muted patchwork of keyless voices blinded by sunlight, hollow echoes from unlit interiors, and scrolls of unrolled piano tunes. Enclosed in empty shadows, with vague slides of unanswered prayers, these two sides etch a dateless form into weak ends, and pyrrhic dells. Everydays are left empty-handed, and enjoyed only then. Positions change, and rely only on your imagination to wake from this, to sleep, in hope to feel again. Full colour fold over pro printed covers featuring vintage photography. Limited to approx 400 copies.” – BR.