The first couple of broadcasts from this amazing group from Brisbane Australia were some of the most defiantly original sides of outsider rock/pop to reach these ears in many, many years so it was with some excitement that we unpacked this one, the debut full-length from Joel Stern, Sarah Byrne, Alex Cuffe and Ross Manning playing all their own invented instruments. The feel is still of a fantasy Godz-play-Moondog session but given the space to really stretch out the group reveal themselves as equally proficient in radical free improvisation. Byrne’s vocals are particularly boggling, ululating all over the honking, scraping, huffing rhythms and melodies with an elastic a-formal approach that has few parallels but that orbits a similar universe to Meredith Monk and Amy Sheffer. The group’s tonal palette is singularly odd, with brokedown rhythms illuminated by percussive tones and sawing folk drones in a way that sounds like Tago Mago played with nothing but Harry Bertoia’s sound sculptures. Indeed, their evisceration of song is every bit as far-reaching as Damo-era Can, building to peaks of nowhere with a hands-on tactile feel that is supremely satisfying while Byrne works mysterious/evocative tongues around every starry shape.
This is atavistic folk music w/a heady hobbyist edge and the kinda sublimely out atmosphere that says ESP-Disk like nothing else. If the newly activated ESP really had an ear to the underground then they would have snapped this group up: Rave Cave is easily the equal of any of the original label’s wildest avant/rock releases. Right now Sky Needle are one of the most radically original and self-sufficient performance units in the world and this is one of the most beautifully skewed releases of the year. Truly, you never heard such sounds. Simply can’t recommend this enough.